
Catalina Cuervo as María in a 2014 Syracuse Opera production of María de Buenos Aires. Photo by Douglas Lee Wonders.
Mill City Summer Opera’s upcoming María de Buenos Aires was written by Astor Piazzola, one of the most renown tango composers of the 20th Century. If that seems an odd pedigree for an opera composer, it is also a rather limited way of looking at Piazzola’s expansive career. Yes, he did compose hundreds of tangos. He also studied classical music composition with Nadia Boulanger and wrote numerous film scores, orchestral pieces, and the odd piece for the Kronos Quartet.
Listen to María de Buenos Aires and the use of tango is unmistakable – as is the use of the bandoneón, a concertina instrument now inextricably associated with the genre. Before World War 2 broke out, tens of thousands were shipped annually from Germany to Uruguay and Argentina – and its use remains so prevalent today that a closet instrument manufacturing industry has sprung up. Piazzola was a skilled bandoneón player and used it frequently in his compositions; unsurprisingly, it has a prominent role in what the composer called his operita (little opera).
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Location
With renovations and conservation work under way at the Mill City Ruins, Mill City Summer Opera moves temporarily this year to the Machine Shop in Northeast Minneapolis. The interior space will feature an hour of open-floor, pre-show tango dancing; 90 minutes for the opera; and an afterparty with more tango.

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María de Buenos Aires opens Friday, July 14 at The Machine Shop (300 2nd St SE, Minneapolis, MN 55414) and plays through July 20.
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