JC Cutler, Angela Timberman, Eric “Pogi” Sumangil, and Jane Froiland in Park Square Theatre’s production of The Realistic Joneses. Photo by Petronella J. Ytsma.

There are sometimes strange synchronies in the world of theatrical programming. The Realistic Joneses has much in common with last season’s Constellations at the Jungle Theater; both deal with difficult and highly personal subject matters. It also spoils much of the experience if you read too much about them beforehand, since following the characters on their own journey of discovery – and trying to assemble the pieces, Sherlock Holmes-style – is an important part of the experience.

If you were to only view the first 15 minutes of the show, you might be forgiven for thinking that the script and characters are entirely banal and uninteresting. This slow beginning is an important foundation upon which many later events and realizations are built, and is very much unlike the experience of the play once the main narratives become clear. Many of these seeds are planted by Sumangul’s nuanced portrayal of John; Joel Sass’s direction keeps these and other hints from becoming too overt. The stripped down set design by Sass is a clever exercise in space management.

It’s not really possible to talk about the details of this play without spoiling, so you might to bring a few friends along so that you can talk about it later. The acting is good, the script surprising, and the tale moving and worth sitting through the slow beginning.

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The Realistic Joneses plays through October 16 at Park Square Theatre.

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Basil Considine

Basil Considine is the Editor of the Twin Cities Arts Reader. He served as Performing Arts Editor and Senior Classical Music and Drama Critic for the Arts Reader's first five years before succeeding Hanne Appelbaum. He was previously the Resident Classical Music and Drama Critic at the Twin Cities Daily Planet and remains an occasional contributing writer for The Boston Musical Intelligencer and The Chattanoogan. He holds a PhD in Music and Drama from Boston University, an MTS in Sacred Music from the BU School of Theology, and a BA in Music and Theatre from the University of San Diego.

Basil was named one of Musical America's 30 Professionals of the Year in 2017. He was previously the Regional Governor for the National Opera Association's North Central Region.

Latest posts by Basil Considine (see all)

• INTERVIEW: MCA Executive Director Sheila Smith & the Road Ahead - January 11, 2021
• INTERVIEW: Taking the Multi-Site PROTOTYPE Festival Online in a Pandemic - January 8, 2021
• FEATURE: Unsafe on Any Stage: Alcoholism and Silence at Theatre in the Round - September 30, 2020