NEWS: Crystal Manich to Take Reins at Mill City Summer Opera Arts Dance Music Opera Theatre by Basil Considine - September 26, 2018September 26, 2018 Today, Mill City Summer Opera announced the appointment of Crystal Manich as its new artistic director. Manich, a lauded stage director, will take the artistic reins for the company’s 2019 season and direct its production of Mozart’s Così fan Tutte. Read an interview with Crystal Manich on directing. Manich takes over from Brian DeMaris (MCSO’s founding Music Director), who stepped in as the Interim Artistic Director for the 2018 season. MCSO founder Karen Brooks praised Manich’s sterling qualifications, including her infectious energy and enthusiasm for opera. “Not only does Crystal have vast experience and knowledge of the operatic repertoire,” said Brooks. “But she also has a 21st century vision for creating opera productions that reflect the times we live in.” Opera director Crystal Manich is Mill City Summer Opera’s newest Artistic Director. Photo by Laura Marie Duncan. Manich holds a Master’s degree in Arts Management and a Bachelor of Fine Arts degree from Carnegie Mellon University. In the current season, she will direct Madama Butterfly at Opera Columbus, Hansel and Gretel with Pittsburgh Opera, Gluck’s Paris and Helen for Boston’s Odyssey Opera, and Bellini’s Norma for Utah Opera. The Opera Columbus production will notably include an all-female artistic team and aims to break with tradition and divest the opera from its normal cultural appropriation. Mill City Summer Opera is expected to return to its traditional location in the Mill City Ruins on the banks of the Mississippi River in July 2019. MCSO’s Così fan Tutte will star mezzo-soprano Heather Johnson, a native of Minnesota. About Latest Posts Basil ConsidineBasil Considine was the Editor of the Twin Cities Arts Reader from 2018-2022. He served as Performing Arts Editor and Senior Classical Music and Drama Critic for the Arts Reader's first five years, before succeeding Hanne Appelbaum. He was previously the Resident Classical Music and Drama Critic at the Twin Cities Daily Planet and remains an occasional contributing writer for The Boston Musical Intelligencer and The Chattanoogan. He holds a PhD in Music and Drama from Boston University, an MTS in Sacred Music from the BU School of Theology, and a BA in Music and Theatre from the University of San Diego. Basil was named one of Musical America's 30 Professionals of the Year in 2017. He was previously the Regional Governor for the National Opera Association's North Central Region and the 2021-2022 U.S. Fulbright Faculty Scholar to Madagascar. Latest posts by Basil Considine (see all) REVIEW: Moving, Funny, Striking English (Guthrie Theater) - July 22, 2024 REVIEW: The Time for Newsies is Now (Artistry) - July 21, 2024 PREVIEW: Behind the Story – Before Out of the Box Opera’s Suor Angelica - June 24, 2024 Share on Facebook Share Share on TwitterTweet