This is the Arts Reader‘s landing page for listing sold-out shows and sell-out risks at the 2019 Minnesota Fringe Festival, as reported by Fringe officials. It will be updated throughout the festival.

At the 2019 Minnesota Fringe Festival, up to 70% of tickets can be purchased in advance, with 30% of tickets always reserved for door sales. If a show sells out in advance, that means that the 70% pre-sale maximum has been reached, but that 30% of tickets are still available at the door.

Updated 8/13.

Sold-Out Shows

• Beat. by W.A.R. Theater (Crane Theater)
  • Wednesday, 8/7
• Chocolate Covered Chicken Wings by Paradox Productions (Augsburg Studio)
  • Saturday, 8/3; Sunday, 8/4; Sunday, 8/11
• Edith Gets High by Devious Mechanics (Rarig Arena)
  • Saturday, 8/3; Tuesday, 8/6; Friday, 8/9; Sunday, 8/11
• Glass and Lady M by Full Circle Theater Company (Dreamland Arts)
  • Saturday, 8/10
• Relic by Jesse Factor (Crane Theater)
  • Saturday, 8/10
• Stoopidity by Ian McCarthy, Michael McKitt, Domino D’Lorion (Rarig Xperimental)
  • Sunday, 8/4; Tuesday, 8/6; Saturday, 8/10
• Size by Somerville Productions (Theatre in the Round)
  • Saturday, 8/10
• The Scranton Stranger: An Office Musical by Literally Entertainment (Rarig Thrust)
  • Sunday, 8/4; Monday, 8/5; Friday, 8/9; Sunday, 8/11
• Turn Here — Sweet Corn by Beardog Productions (Augsburg Studio)
  • Saturday, 8/10
• Visitation by DangerVision Productions (Crane Theater)
  • Wednesday, 8/7; Saturday, 8/10
• You Are Cordially Invited to the Life and Death of Edward Lear by The Winding Sheet Outfit (Crane Theater)
  • Saturday, 8/3; Sunday, 8/4; Thursday, 8/8; Saturday, 8/10

Sell-Out Risks (That Haven’t Previously Sold Out A Show)

• Looking Glass: A Shattered Cirque Wonderland by Elite Entertainment (Minnsky Theatre)
• Which Middle Name of Philip Seymour Hoffman Are You? by an alleged Theatre Company [sic] (Ritz Studio)

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Twin Cities Arts Reader

The Twin Cities Arts Reader is an arts and lifestyles magazine whose coverage examines arts and selected activities in the state of Minnesota and across the country. It provides Minnesota's largest source of in-depth, critical theatre coverage, and reaches more than 600,000 readers per year.

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