Reworking or remixing opera classics is one of the hot current trends in American opera circles. Skylark Opera Theatre's production of The Tragedy of Carmen certainly caught local opera fans' attention with a heavily streamlined, 90-minute version of the classic opera by Bizet, with packed houses and fans clamoring to see this up-close-and-personal treatment. Transforming
Author: Basil Considine
Basil Considine is the Twin Cities Arts Reader's Performing Arts Editor and the Senior Classical Music and Drama Critic. Before joining the Arts Reader, he was the Twin Cities Daily Planet's Resident Classical Music and Drama Critic and a contributing writer for The Boston Music Intelligencer. He holds a PhD in Music and Drama from Boston University, an MTS in Sacred Music from the BU School of Theology, and a BA in Music and Theatre from the University of San Diego.
REVIEW: Patchy La Bohème Shines Through (Minnesota Opera)
Scott Quinn (Rodolfo) and Nicole Cabell (Mimì) in Minnesota Opera's production of La Bohème. Photo by Dan Norman. Minnesota Opera's new production of La Bohème is uneven. There are parts that are exceedingly beautiful and engaging, and there are some that are noticeably not on the same level as the others. Call it
NEWS: Chameleon Theatre Circle Creeps Towards Twin Cities
Julia Ennen as Daisy and Anna Larranaga as Violet in The Chameleon Theatre Circle's 2017 production of Side Show, which opened to packed houses at the Ames Center for the Performing Arts shortly after a future booking controversy became public. Photo by Daniel K. McDermott for Sinséar Video + Photography. The Chameleon Theatre Circle
INTERVIEW: American Prize Winner Geneviève Leclair on Conducting
Conductor Geneviève Leclair at the podium. Photo by Rosalie O’Connor, with permission from Boston Ballet. On Friday, Hat City Music Theater announced the 2016-17 American Prize winners in orchestral conducting. This national award series recognizes distinguished performances by conductors working across the United States. Geneviève Leclair, a professor at Berklee College
INTERVIEW: Composer Ketty Nez on Writing Opera – Music, Words, and All
Last December, the Metropolitan Opera staged Kaija Saariaho's L'Amour de Loin, its first production of an opera written by a female composer since 1903. William Robin of the New York Times took the occasion to interview 10 female composers about their experience writing opera and working as composers; the headline read,
INTERVIEW: About the Sisters of Swing (History Theatre)
Cat Brindisi, Katie Hahn, and Jen Burleigh-Bentz in the History Theatre's production of Sisters of Swing. Sisters of Swing, which opens tonight at the Dakota Jazz Club in Minneapolis, tells the story of the Andrews Sisters – one of the best-selling singing groups of all time. This close harmony group of three
REVIEW: Splendid Bluest Eye (Guthrie Theater)
The cast of the Guthrie Theater's production of Toni Morrison's The Bluest Eye. Photo by Dan Norman. Do you like your theatre interesting, intelligent, engaged with deep social issues, and not beating you over the head with a lecture? Do you also like brilliant acting, intriguing stories, and well-done perception shifts
FEATURE: Double Casting / INTERVIEW: Soprano Miriam Khalil on Bohème and More (Minnesota Opera)
A photo collage of soprano Miriam Khalil. See the originals and more at MiriamKhalil.com. The economics and programming of opera during the so-called Golden Age of Opera – the mid-19th-century up to the start of the First World War – were very different than they are today. Most opera companies operated on
INTERVIEW: Soprano Nicole Cabell on Mimi, Bohème, and More (Minnesota Opera)
A photo collage of soprano Nicole Cabell on- and offstage. See the original photos and more at Nicole-Cabell.com. Two weeks from today, Minnesota Opera opens the last production in its 2016-2017 season: Giacomo Puccini's classic opera La Bohème. The opera's flowing, through-composed score and concise verismo narrative originally took audiences aback; within
INTERVIEW: Crafting a New Take on Ibsen’s Master Builder
There are four plays by Danish playwright Henrik Ibsen (1828-1906) that are commonly produced in the United States today. Which one you know (or know of) is likely a function of your interest. Feminists favor A Doll's House. Pianists and orchestral musicians favor Peer Gynt, for which Edvard Grieg wrote incidental music preserved in two