"Three little maids from school are we" – Sarah Mehle as Patricia Singleton/Patti Sing, Margaret Matejcek as Taylor Tarrington/Tum Tum, and Blanka Melbostad as Barbara O. Peoples/Bow Peep in the Gilbert and Sullivan Very Light Opera Company's new production of The Mikado. The Gilbert and Sullivan Very Light Opera Company opened
Author: Basil Considine
Basil Considine is the Performing Arts Editor and Senior Classical Music and Drama Critic at the Twin Cities Arts Reader. He was previously the Resident Classical Music and Drama Critic at the Twin Cities Daily Planet and remains an occasional contributing writer for The Boston Musical Intelligencer and The Chattanoogan. He holds a PhD in Music and Drama from Boston University, an MTS in Sacred Music from the BU School of Theology, and a BA in Music and Theatre from the University of San Diego.
Basil was named one of Musical America's 30 Professionals of the Year in 2017.
INTERVIEW: Soprano Liv Redpath on Singing in the Best of All Possible Worlds
Opera is seemingly everywhere in the Twin Cities in March, with productions and concerts by the University of Minnesota, Minnesota Opera, Skylark Opera Theatre, and more. Into this tangled period leaps the choral music ensemble VocalEssence, which has chosen "The Best of All Possible Worlds" – that is, to perform Leonard
REVIEW: Timely The Fix (MN Opera)
The ensemble of Minnesota Opera's world premiere production of The Fix, which opened Saturday at the Ordway Center for the Performing Arts in St. Paul, Minnesota. Photo by Cory Weaver. It's rather poetic that Minnesota Opera's The Fix premiered just days after breaking news of a major college admissions fraud and bribery
INTERVIEW: Tyler Michaels on Becoming Hedwig and Trademarking Theater
Tyler Michaels rehearsing for Theater Latté Da's upcoming production of Hedwig and the Angry Inch. Photo by Emilee Elofson. 21 years ago, on Valentine's Day, an unlikely success called Hedwig and the Angry Inch opened Off Broadway. An in-your face, mostly solo punk rock musical, Hedwig dives straight into the physical
REVIEW: The Joys of Mamma Mia (Chanhassen Dinner Theatres)
INTERVIEW: Theatre Unbound’s New Executive Director Jenny Moeller on Taking the Wheel
A wordcloud generated from an interview with Theatre Unbound's incoming Executive Director, Jenny Moeller. This fall, Theatre Unbound will celebrate its 20th season of making live theatre created and conceived by women. A 20th birthday is counted as a crown year; for its 20th, Theatre Unbound is crowning a new Executive
INTERVIEW: Daisuke Kawachi and Sara Ochs on Directing The Last Firefly (Theater Mu/SteppingStone)
A fight rehearsal for the Theater Mu/SteppingStone Theatre for Youth co-production of The Last Firefly. Photo by Jessica Kray Martin Photo. Fireflies float on the boundary between the mundane and a world of magical realism. They are also important biomarkers, whose disappearance foreshadows local ecosystem collapse. This dual role has made
INTERVIEW: Bob Neu on Skylark’s Così fan tutte
A word cloud showing the most popular words in an English-language translation of the opera Così fan tutte, which will be staged by Skylark Opera Theatre from March 22-31 at The Historic Mounds Theatre in St. Paul, MN. Long before Trading Spaces, Celebrity Wife Swap, and other reality televsion, Wolfgang Amadeus
