The Southern Theater in 2010. Photo by Tony Webster; used in accordance with the CC BY-SA 3.0 license.

The Southern Theater’s Executive Director Damon Runnals is stepping down on October 29. This latest step in a round of reshuffling and transitions in the Twin Cities theatre scene marks the end of an 8-year tenure at the Southern in various capacities, in which Runnals rose from Production and Operations Manager in 2008 to General Manager in 2011 to Executive Director in January 2013. According to a press release issued by the Southern Theater, Runnals is leaving the organization to join Clockwork, an interactive design and technology agency whose clients include Best Buy, 3M, and Cargill.

In a post on Facebook, Runnals said, “I’m filled with mixed emotions but have known for most of this year that my time was drawing to a close.” Runnals will continue as the owner of Swandive Theatre, which he founded with Meg DiSciorio in 2005.

Runnals first joined the Southern Theater in September 2008, a turbulent time for the organization after a major staff shakeup that saw the departure of long-time artistic director Jeff Bartlett and most of the rest of the staff. Another shakeup occurred in 2011, when issues related to the organization’s high debt load (accrued during a renovation) precipitated a major crisis. In the resulting restructuring and operational shutdown, Runnals was appointed General Manager in July 2011 (its sole employee) and Executive Director in January 2013, reopening the theatre’s doors.

During his tenure, Runnals rebuilt connections and donor relations, eliminated significant amounts of organizational debt, expanded the operational budget, and crafted the innovative ARTShare subscriber model that has reinvigorated the space as a major arts tenant drawing people to the Seven Corners district. In 2016, the Southern is scheduled to play host to 23 resident and guest companies.

Read the press release from the Southern Theater announcing the departure of Damon Runnals.

• About
• Latest Posts

Basil Considine

Basil Considine was the Editor of the Twin Cities Arts Reader from 2018-2022. He served as Performing Arts Editor and Senior Classical Music and Drama Critic for the Arts Reader's first five years, before succeeding Hanne Appelbaum. He was previously the Resident Classical Music and Drama Critic at the Twin Cities Daily Planet and remains an occasional contributing writer for The Boston Musical Intelligencer and The Chattanoogan. He holds a PhD in Music and Drama from Boston University, an MTS in Sacred Music from the BU School of Theology, and a BA in Music and Theatre from the University of San Diego.

Basil was named one of Musical America's 30 Professionals of the Year in 2017. He was previously the Regional Governor for the National Opera Association's North Central Region and the 2021-2022 U.S. Fulbright Faculty Scholar to Madagascar.

Latest posts by Basil Considine (see all)

• REVIEW: Moving, Funny, Striking English (Guthrie Theater) - July 22, 2024
• REVIEW: The Time for Newsies is Now (Artistry) - July 21, 2024
• PREVIEW: Behind the Story – Before Out of the Box Opera’s Suor Angelica - June 24, 2024