The era-spanning cast of characters in Thornton Wilder's play The Skin of Our Teeth, now playing at Park Square Theatre in St. Paul, MN. Photo by Petronella J. Ytsma. The Skin of Our Teeth, produced by Girl Friday Productions and now playing at Park Square Theatre, seems to be a favorite
Author: Dan Reiva
Daniel P. Reiva (Staff Reviewer) is a Twin Cities theatre professional. Prior to joining the Twin Cities Arts Reader, he wrote for the Twin Cities Daily Planet.
REVIEW: Endearing Animals, Story in Biggest Little House (Children’s Theatre Company)
A mouse moves into The Biggest Little House in the Forest at the Children's Theatre Company in Minneapolis. Pictured: Autumn Ness. Photo by Dan Norman. A joyful, immersive experience awaits children attending The Biggest Little House in the Forest, a Children’s Theatre Company’s original adapting the novel by Djemma Bider. The show
REVIEW: Dementia’s Taunts in The Father (Gremlin Theatre)
The calm before the storm: Craig Johnson (center), Miriam Schwartz (rear-left), and Peter Christian Hansen (background-right) in Gremlin Theatre's production of The Father. Photo by Alyssa Kristine. The Father, now playing at Gremlin Theatre, is an engrossing play about a man in his sixties suffering from dementia and his daughter's efforts
REVIEW: Faded Novelty, Enticing Melody in Once (Latté Da)
REVIEW: Uneven Capitol Steps (Ordway)
REVIEW: Jackson Browne’s Still Got Steam (State Theatre)
A collage of recording artist Jackson Browne's numerous album covers. Jackson Browne’s concert last Tuesday at the State Theatre in Minneapolis demonstrated that he is in fine voice and far away from running on empty. The concert provided fans a golden opportunity to hear the best examples of Browne’s more than
REVIEW: Good News, Bad News, Well… (Guthrie Theater)
JoAnne Akalaitis, the creator of BAD NEWS! i was there. Director JoAnne Akalaitis had a great idea: compile a dozen Ancient Greek dramas focusing on messenger scenes. She euphemistically calls the work, BAD NEWS! i was there... [sic], a humorous understatement since the messengers are inevitably revealing tragic events in the lives of the
REVIEW: Dat Black Mermaid Man/Lady/Show (Pillsbury House + Theatre)
Kenyai O'Neal and PaviElle French in Pillsbury House Theatre's Dat Black Mermaid Man/Lady/Show. Photo by Rich Ryan. I attended the opening performance of Dat Black Mermaid Man/Lady/Show at the Pillsbury House Theatre. Sharon Bridgforth wrote the play in the avant-garde theatre form called theatrical jazz. Under the direction of Ebony Noelle
REVIEW: Orphans and NHCC’s New Blackbox (North Hennepin Community College)
It seems like every other month that another long-time theatre in the Twin Cities announces its closure, caught between rising property values and fundraising woes. Discovering a new performance spaces being created is a welcome counter-current of good news. Last week, I attended an incredible dramatic performance of Lyle Kessler's play Orphans in
REVIEW: Art/Disempowerment/Juxtaposition: The Inequality Dance in Rap on Race (Ordway)
A promotional image for Spectrum Dance Theater's A Rap on Race. Seattle's Spectrum Dance Theater dropped on St. Paul's Ordway Music Theater on Saturday. In its best moments, the event was a notable experiment that illustrates how art can further discussions of racial inequality in America. Some moments were marvelously expressive and expressionist.