Orpheus (Alex Moggridge, left) tries to wrest his love from the ravages of death in the Guthrie Theater/Berkeley Repertory Theatre co-production of Mary Zimmerman's play Metamorphoses. The forces of Hades (Steven Epp, Louise Lamson, and Rodney Gardiner) look on with bemusement. Photo by Dan Norman. It is seldom to see a
Theatre
REVIEW: Betty Buckley Seizes the Spotlight, Never Lets Go in Hello, Dolly! (Orpheum Theatre/Hennepin Theatre Trust)
The national touring company of Hello, Dolly!, playing through April 28 at the Orpheum Theatre in Minneapolis. Photo by Julieta Cervantes. The poster for the national tour of Hello, Dolly! features just four words: the show title and "Betty Buckley". Look at the poster alone and you might think that's odd. Watch
REVIEW: Cool Be More Chill High School trip (Minneapolis Musical Theatre)
Meet the romantic musical comedy leads of Be More Chill, now playing at the Illusion Theater in Minneapolis, Minnesota: Jeremy Heere (Maxwell Emmett Ward) and Christine Canigula (Caitlin Featherstone). Photo by Scott Pakudaitis. If you follow what's playing on Broadway, you were probably surprised to hear that Be More Chill opened in
INTERVIEW: Kristen Hahn on Hello, Dolly!, A Gentleman’s Guide to Murder, and More
The national touring company of Hello, Dolly!, which opens this evening at the Orpheum Theatre in Minneapolis, MN. Photo by Julieta Cervantes. Hello, Dolly! opens tonight at the Orpheum Theatre on Hennepin Ave. Written by Michael Stewart and Jerry Herman, the musical took Broadway by storm in 1964, walking away with a
REVIEW: Flip-Flopping in Gender-Bending Victor/Victoria (Artistry)
Ann Michels (as Victoria Grant) and the ensemble of Artistry's Victor/Victoria. Photo by Devon Cox. Victor/Victoria is not a great ensemble show. The current Artistry production at the Bloomington Center for the Arts is a great star vehicle for Ann Michels, but most of the other actors get the short end
REVIEW: Velvet Swing Rips the Curtains Down (Umbrella Collective)
A promotional image for the Umbrella Collective's production of Velvet Swing, which opened Friday at Bryant-Lake Bowl in Minneapolis, MN. On Tuesday, The Guardian ran a piece entitled From Jack the Ripper to Ted Bundy, Why Are Dead Women’s Bodies Still Being Used as Entertainment? One of its arguments is that theatre,
REVIEW: Dynamic Poetry Rules in Of Art and Artists (Theatre Elision)
Christine Wade (2nd from right) plays the ukelele as Krin McMillen, Thomas Friebe, Maggie Burr, Zach Garcia, and Anna Hashizume look on in Theatre Elision's production Of Art and Artists. Photo by Jessica Holleque. Theatre Elision's Of Art and Artists program, which opened last night in Eden Prairie, is the sort of
PREVIEW: The Events Behind the Umbrella Collective’s Velvet Swing
A promotional image for the Umbrella Collective's production of Velvet Swing, which premieres tonight at Bryant-Lake Bowl in Minneapolis, MN. Google "Velvet Swing" and the first thing that comes up is a not-safe-for-work product mixing sex and cannabis. An odd pairing? Not if you know the history of the term, a now-and-again
REVIEW: In-Your Face Hedwig Grabs and Doesn’t Let Go (Theater Latté Da)
Tyler Michaels stars in Theater Latté Da's production of the musical Hedwig and the Angry Inch, now playing at the Ritz Theater in Northeast Minneapolis. Photo by Dan Norman. Reception theory emphasizes the importance of individual and collective reactions in determining something's meaning. An author may write with one intention, only
