A promotional image for Theater Mu/Park Square Theatre's co-production of The Korean Drama Addict’s Guide to Losing Your Virginity. If you've traveled to Los Angeles or Hawaii a lot, chances are that you'll have heard of or seen Korean television dramas (K-dramas). An international entertainment phenomenon, these television staples have a
A scene in Gunplay! by Tom Reed at the 2018 Minnesota Fringe Festival. Photo by Debbie Tallen. Wouldn't you say that your show list's complete? Wouldn't you think it's a Fringe That has everything? Look at this schedule: So many great shows! But how many guests can Red Stag's bar hold? Lookin' around here you'd think (Sure) Dawn's
It should surprise no one that the American theatre tradition is frequently political. Of the 132 shows in the Minnesota Fringe Festivals this year, 22 (about 16%) are self-classified as having political content. Browse their show descriptions and you'll see that women's rights, LGBTQ rights, immigration, and refugees are common
Glen L. Dawson in New Endeavours' production of The Buttslasher. Photo by Geoffrey Conklin. You usually don't get a second chance to see a Fringe show. Usually. Normally, the festival closes, one or two remounts play at Bryant Lake Bowl, and maybe if you're super lucky you could see the odd touring show on
The ensemble for Park Square's Baskerville. Photo by Petronella J. Ytsma. Officially, the show currently playing at Park Square Theatre's proscenium stage is called Ken Ludwig's Baskerville: A Sherlock Holmes Mystery. This somewhat fatuous, pompous title belies the earthy farce that is at the heart of Baskerville. It's a Sherlock Holmes
Gerard Schneider as Nicias, Kelly Kaduce as Thaïs, and Lucas Meachem as Athanaël with the cast of Thaïs. Photo by Cory Weaver. Sometimes, going to the theatre means checking your attitudes at the door. There's a certain market for pieces that have been edited to be politically correct and/or align with
The Stockmann brothers Peter (Ricardo Chavira) and Tom (Billy Carter) in the Guthrie Theater's production of An Enemy of the People. Photo by Dan Norman. It says something about Norwegian playwright Henrik Ibsen (1828-1906)'s place in the theatrical canon that his works are now being freely reinterpreted, reconceived, and given sequels.
Ahmed (M. Hajji Ahmed) meets Maya Angelou (Ashawnti Sakina Ford) in the History Theatre's A Crack in the Sky. Photo by Scott Pakudaitis. Not all paths lead where you expect. That's one of the takeaways from Ahmed Ismail Yusuf's striking new play A Crack in the Sky, which is now playing at the History