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Author: Basil Considine

Basil Considine was the Editor of the Twin Cities Arts Reader from 2018-2022. He served as Performing Arts Editor and Senior Classical Music and Drama Critic for the Arts Reader's first five years, before succeeding Hanne Appelbaum. He was previously the Resident Classical Music and Drama Critic at the Twin Cities Daily Planet and remains an occasional contributing writer for The Boston Musical Intelligencer and The Chattanoogan. He holds a PhD in Music and Drama from Boston University, an MTS in Sacred Music from the BU School of Theology, and a BA in Music and Theatre from the University of San Diego. Basil was named one of Musical America's 30 Professionals of the Year in 2017. He was previously the Regional Governor for the National Opera Association's North Central Region and the 2021-2022 U.S. Fulbright Faculty Scholar to Madagascar.

REVIEW: emilie/eurydice (Transatlantic Love Affair)

by Basil Considine -
Emilie (Heather Bunch) is cast by a car accident into the arms of the ensemble-cumliving set (Alex Hathaway and Derek Lee Miller). Photo by Jonathan Carlson.

Transatlantic Love Affair's emilie/eurydice is a difficult show to describe. This is not due to a particular complexity of plot – the scenario is fairly straightforward – but due to the impossibility of pinning what makes this show so moving on a single part. Many elements that by themselves might have

REVIEW: The Night Alive (Jungle Theater)

by Basil Considine -
Tommy (Stephen Yoakam) and Aimee (Sara Richardson). Photo by Heidi Bohnenkamp.

There's a surprising amount of violence in The Night Alive, Conor McPherson's new play at the Jungle Theater, given that the piece is fundamentally a situational comedy. A bit of a black comedy at times, yes, but the show having a body count matching Sister Act is just one of the unexpected things

FOR SALE: Music Box Theatre, Lightly Used

by Basil Considine -

Is your company looking for a 400-seat theatre in Minneapolis? Can you pull off a $2 million fundraising drive? Were you alternately planning on buying a mansion on the shores of Lake of the Isles but would secretly like to have your bed onstage, like in the film Stage Beauty? If your

Joshua Bell Redux

by Basil Considine -

Joshua Bell and Samuel Haywood haven't even taken the stage yet, but their November 1 concert is already one for the history books: it's sold more tickets for a single performance than any show in the history of the Ordway. Officially, the Ordway seats 1900 people; those seats sold out

REVIEW: Lula Washington Dance Theatre (Ordway)

by Basil Considine -

There are a lot of things wrong in the modern dance world, but Lula Washington Dance Theatre isn't one of them. Friday's show at the Ordway a breath of fresh air like the modern dance sequences in Center Stage, except more inspired, kinetic, and original. Who is Lula Washington, you might ask?

INTERVIEW: Dale Johnson on Minnesota Opera’s Magic Flute Madness

by Basil Considine -
Dale Johnson, Artistic Director of Minnesota Opera. Photo by Michal Daniel.

Minnesota Opera Artistic Director Dale Johnson. Photo by Michal Daniel. Minnesota Opera's innovative 2014 production of The Magic Flute was one of the surprise hits of the 2013-2014 season. This adaptation of the classic Mozart opera smashed the company's box office records, selling 14,584 tickets and bringing in $951,000 in ticket revenue. A year and

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