REVIEW: Patchy La Bohème Shines Through (Minnesota Opera) Arts Dance Music Opera Theatre Visual Arts by Basil Considine - May 10, 2017June 24, 2018 Scott Quinn (Rodolfo) and Nicole Cabell (Mimì) in Minnesota Opera's production of La Bohème. Photo by Dan Norman. Minnesota Opera's new production of La Bohème is uneven. There are parts that are exceedingly beautiful and engaging, and there are some that are noticeably not on the same level as the others. Call it
NEWS: Chameleon Theatre Circle Creeps Towards Twin Cities Arts Dance Music Theatre by Basil Considine - May 5, 2017July 11, 2017 Julia Ennen as Daisy and Anna Larranaga as Violet in The Chameleon Theatre Circle's 2017 production of Side Show, which opened to packed houses at the Ames Center for the Performing Arts shortly after a future booking controversy became public. Photo by Daniel K. McDermott for Sinséar Video + Photography. The Chameleon Theatre Circle
REVIEW: No Warts on Frog and Toad‘s Return (Children’s Theatre Company) Arts Dance Music Theatre by Bev Wolfe - May 2, 2017May 2, 2017 Autumn Ness, Matthew Rubbelke, Traci Allen Shannon, Reed Sigmund, and Bradley Greenwald try their hands at flying kites in A Year with Frog and Toad. Photo by Dan Norman. A most splendid year with Mr. Frog and Toad is offered to all who attend A Year with Frog and Toad at Children’s Theatre
INTERVIEW: American Prize Winner Geneviève Leclair on Conducting Arts Dance Music by Basil Considine - April 30, 2017May 1, 2017 Conductor Geneviève Leclair at the podium. Photo by Rosalie O’Connor, with permission from Boston Ballet. On Friday, Hat City Music Theater announced the 2016-17 American Prize winners in orchestral conducting. This national award series recognizes distinguished performances by conductors working across the United States. Geneviève Leclair, a professor at Berklee College
INTERVIEW: Composer Ketty Nez on Writing Opera – Music, Words, and All Arts Music Opera by Basil Considine - April 29, 2017April 30, 2017 Last December, the Metropolitan Opera staged Kaija Saariaho's L'Amour de Loin, its first production of an opera written by a female composer since 1903. William Robin of the New York Times took the occasion to interview 10 female composers about their experience writing opera and working as composers; the headline read,
REVIEW: Shaky but Interesting Girl Shakes Loose (Penumbra Theatre) Arts Music Theatre by Bev Wolfe - April 27, 2017April 27, 2017 Alexis Sims as Girl in Girl Shakes Loose. Poet Sonia Sanchez was a unique voice in 1965-75 Black Arts Movement with her poetry ranging from Black Nationalism to her later work emphasizing family, relationships and self-empowerment. Her poetry is the center of a promising musical titled Girl Shakes Loose, which premiered last
INTERVIEW: About the Sisters of Swing (History Theatre) Arts Music Theatre by Basil Considine - April 26, 2017April 26, 2017 Cat Brindisi, Katie Hahn, and Jen Burleigh-Bentz in the History Theatre's production of Sisters of Swing. Sisters of Swing, which opens tonight at the Dakota Jazz Club in Minneapolis, tells the story of the Andrews Sisters – one of the best-selling singing groups of all time. This close harmony group of three
FEATURE: Double Casting / INTERVIEW: Soprano Miriam Khalil on Bohème and More (Minnesota Opera) Arts Music Opera Theatre by Basil Considine - April 23, 2017April 22, 2017 A photo collage of soprano Miriam Khalil. See the originals and more at MiriamKhalil.com. The economics and programming of opera during the so-called Golden Age of Opera – the mid-19th-century up to the start of the First World War – were very different than they are today. Most opera companies operated on
INTERVIEW: Soprano Nicole Cabell on Mimi, Bohème, and More (Minnesota Opera) Arts Music Opera Theatre by Basil Considine - April 22, 2017April 22, 2017 A photo collage of soprano Nicole Cabell on- and offstage. See the original photos and more at Nicole-Cabell.com. Two weeks from today, Minnesota Opera opens the last production in its 2016-2017 season: Giacomo Puccini's classic opera La Bohème. The opera's flowing, through-composed score and concise verismo narrative originally took audiences aback; within
REVIEW: Timely Wicked-ness (Oprheum/Hennepin Theatre Trust) Arts Dance Music Theatre by Ali O'Reilly - April 17, 2017April 17, 2017 Jessica Vosk as Elphaba in the touring production of Wicked. Photo by Joan Marcus. The first (and only other) time I saw Wicked was in 2008, from the nosebleeds of Chicago’s Oriental Theatre, where it would play to 3.2 million audience members in a period of 3.5 years. The cast then featured