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Author: Basil Considine

Basil Considine was the Editor of the Twin Cities Arts Reader from 2018-2022. He served as Performing Arts Editor and Senior Classical Music and Drama Critic for the Arts Reader's first five years, before succeeding Hanne Appelbaum. He was previously the Resident Classical Music and Drama Critic at the Twin Cities Daily Planet and remains an occasional contributing writer for The Boston Musical Intelligencer and The Chattanoogan. He holds a PhD in Music and Drama from Boston University, an MTS in Sacred Music from the BU School of Theology, and a BA in Music and Theatre from the University of San Diego. Basil was named one of Musical America's 30 Professionals of the Year in 2017. He was previously the Regional Governor for the National Opera Association's North Central Region and the 2021-2022 U.S. Fulbright Faculty Scholar to Madagascar.

REVIEW: Fine Dining, Rough Talk at Don Giovanni (Skylark Opera Theatre)

by Basil Considine -

Gabriel Preisser as Don Giovanni. Photo by Vera Mariner. At its best, Skylark Opera Theatre's Don Giovanni is an extraordinary way to experience a beloved Mozart opera. The site-specific performance at the Women's Club of Minneapolis provides ample opportunities for shaking up the traditional opera-going experience, which are ably exploited with a talented

REVIEW: RENT Keeps on Rocking Hard (Hennepin Theatre Trust)

by Basil Considine -

The company for the RENT 20th Anniversary Tour. Photo by Carol Rosegg. As the last notes of RENT sounded, the audience burst from their seats en masse in a standing ovation. After that response, much of the writing of this review seems superfluous. For a show on its 20th anniversary tour, RENT has weathered the years very well. Jonathan

DC REVIEW: Delectable Appetizers in Les Indes Galantes (Opera Lafayette)

by Basil Considine -

The Opera Lafayette Orchestra. Ryan Brown leads with his violin (standing, center). Sketch by Basil Considine. The Twin Cities opera scene is blessed with several opera companies whose specialties range from the popular canon to new repertoire to site-specific and unusual spectacle. If your tastes run to Baroque operas, however, your odds of

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