Magic Flute Revamp Rules Box Office Arts Music Opera Theatre by Twin Cities Arts Reader - December 9, 2015 The Queen of the Night may not have succeeded in Mozart's The Magic Flute, but Minnesota Opera certainly did. The company's recent revival of its 2014 staging of the opera completely sold out, with 9,808 tickets purchased for the six public performances. Throw in about 150 people for the first dress rehearsal and 1,600 eager high
The Real Captain Von Trapp Arts Music Theatre by Basil Considine - December 5, 2015December 6, 2015 Captain Georg Johannes, Ritter von Trapp on the conning tower of the Austrian submarine U-5. Today, the Twin Cities Arts Reader looks at the story behind The Sound of Music, which opens at the Ordway Center for the Performing Arts one week from today. This dramatization of the real-life von Trapp family's adventures and
The Dean of American Musical Theatre Arts Music Theatre by Twin Cities Arts Reader - November 25, 2015 When Aaron Copland died in 1990, a flood of obituaries hailed the composer as the "Dean of American Music." In the 25 years since his passing, no composer has picked up the reins; no successor has arisen whose music for the concert hall is popular, universally respected, and profoundly influential
REVIEW: Old Log’s Wedding Singer = Fun Retro Trip Arts Music Theatre by Basil Considine - November 23, 2015June 24, 2018 The Adam Sandler/Drew Barrymore film The Wedding Singer was a surprise hit in 1998. Its stage adaptation landed on Broadway in 2006 and was less so, running for just 284 performances – quite respectable 40 years ago, but much less than stellar with current Broadway economics. The show was hailed as generally appealing,
REVIEW: Beautiful = Beautiful Arts Music Theatre by Basil Considine - November 19, 2015November 19, 2015 Carole King (Abby Mueller) busts out in "Natural Woman." Background: (L to R) Britney Coleman, Sarah Bockel and Ashley Blanchet. Photo by Joan Marcus. On Wednesday, the Hennepin Theatre Trust opened two related but very different affairs. One was the branding launch of WeDo™, the recently christened West Downtown Cultural District
REVIEW: Silent Movie Magic Flute Extravaganza Still Has It Arts Music Opera Theatre by Basil Considine - November 18, 2015November 20, 2015 It's been a year and a half since Minnesota Opera opened its striking and iconoclastic take on The Magic Flute. This production wowed audiences, who came in droves; at the time, the two-week run was the best-selling show in the company's 41-year history (it was dethroned by last spring's Carmen). Not everyone
REVIEW: emilie/eurydice (Transatlantic Love Affair) Arts Dance Theatre by Basil Considine - November 16, 2015November 18, 2015 Transatlantic Love Affair's emilie/eurydice is a difficult show to describe. This is not due to a particular complexity of plot – the scenario is fairly straightforward – but due to the impossibility of pinning what makes this show so moving on a single part. Many elements that by themselves might have
REVIEW: The Night Alive (Jungle Theater) Arts Theatre by Basil Considine - November 10, 2015November 16, 2015 There's a surprising amount of violence in The Night Alive, Conor McPherson's new play at the Jungle Theater, given that the piece is fundamentally a situational comedy. A bit of a black comedy at times, yes, but the show having a body count matching Sister Act is just one of the unexpected things
REVIEW: The Wizard of Oz (Children’s Theatre Company) Arts Music Theatre by Basil Considine - November 8, 2015November 16, 2015 The Wizard of Oz is a show that needs no introduction, so let's dive right into some of the elements that make the current Children's Theatre Company production the endearing gem that it is. First, this show (which opened on Friday) is visually fun to look at. The Kansas is
REVIEW: Uncomfortable by Design: Frankie and Johnny in the Clair de Lune Arts Theatre by Basil Considine - November 6, 2015November 6, 2015 Frankie and Johnny in the Clair de Lune is designed to be discomforting. The Casting Spells Productions staging of this 1987 Terrence McNally play, which opened last night at the Theatre Garage, does not shy from this. The resulting experience is raw, uncomfortably intimate in its closeness, and unrelenting. Whether this